The Divine Image -
(2006) William Blake
for soprano and piano
for Clarissa Haidy Carlson
To Mercy, Pity, Peace, and Love
All pray in their distress;
to these virtues of delight
Return their thankfulness.
Mercy, Pity, Peace, and Love
Is God, our Father dear,
Pity, Peace, and Love
Is man, His child and care.
has a human heart,
Pity a human face,
And Love, the human form
And Peace, the human dress.
Then every man, of every
That prays in his distress,
Prays to the human form
Love, Mercy, Pity, Peace.
And all must love the
In heathen, Turk, or Jew;
Where Mercy, Love, and
There God is dwelling too.
[ 7 pages, 4' 20" ]
William Blake (1757-1827) was an English poet, painter, engraver, and
visionary mystic whose hand-illustrated series of lyrical and epic
poems, beginning with Songs of Innocence (1789) and Songs of
Experience (1794), form what Britannica terms "a strikingly original
and independent body of work within the Western cultural tradition."
Regarded as one of the earliest and greatest figures of Romanticism, he
was ignored by the public of his day and was called mad because he was
single-minded and unworldly; he lived on the edge of poverty and died in
One notes that many artists later deemed "strikingly original" labored
in relative obscurity, and even experience attempted repression of their
This poem is drawn from the Songs of Innocence, another darker
poem of the same name being found in the Songs of Experience.
Blake used a revolutionary printing method to publish two little tracts,
one wonderfully titled There is No Natural Religion and All
Religions are One, engraved about 1788. This poem symbolizes that
insight, so insightful and truly progressive for its time. May we learn
from such wisdom.
The setting opens with musings across a number of harmonic domains,
treble and bass related pleasingly by tri-tones and seconds, in related
polytonality. This settles into the tonic region of the song setting, F
sharp major. The piano accompaniment is meant to be blurred, a rather
static harmonic wash over which the simple melody might sing. Additional
strophes are separated by similar means, and the penultimate is set to a
more slightly assertive texture and harmonic content in the relative
Reference: The Oxford Book of English Mystical Verse, Nicholson
& Lee, eds. 1917, and Encyclopedia Britannica, 1991-1994.
A cycle of short songs to texts of William Blake is titled
Three Blake Settings.
Clarissa Haidy Carlson
The score for The Divine Image is available as a free PDF
download, though any major commercial performance or recording of the
work is prohibited without prior arrangement with the composer. Click on
the graphic below for this piano-vocal score.
The Divine Image