Partita No 6 for Harpsichord  - (2019)    


The work is predicated on a classic, five octave instrument, F to f.   A opening gesture centers on the Lydian A flat as in the key signature more normally associated with E flat major and C minor, both of which domains also feature in this partita. Alterations between a single 8' and coupled 8' registers makes tor dynamic contrast.




A cadence on A flat becomes a cadence on E flat, and thereafter a short fughetta in E flat with stretti and a return to the A flat region are featured.





A quasi-percussive gesture on A flat leads to a double dotted episode with successions of closed seven chords, still sounding quite Baroque for the instrument and gestural shapes.




The same short episode and frustrated harmonic cadence leads to a more lyrical moment in C minor, again alternating a single 8' as against the coupled 8' registers for contrast within a straight forward repetition..



And following, a repetition of arpeggios first with the "buff" register and then a single normal 8'.



A final fughetta combines themes as the previous section simply abandons C minor in a single bass D flat, after which a first statement of the fughetta's subject is stated outright. What follows are additional statements in several harmonic domains far afield from the original, sometimes residing on E flat and sometimes on and around A flat. After a coda, the work ends as begun, with A flat, having functioned as Lydian tonic and root for the many related harmonic domains which figure in the multi-art work.



8 pages, circa 11' 30" - an MP3 demo is here: 


The score is available as a free PDF download, though any major commercial performance or recording of the work is prohibited without prior arrangement with the composer. Click on the graphic below for this score.


Partita No 6 for Harpsichord